The Masque de Femme panel created by Rene Lalique in 1935 to adorn a fountain embodies the imaginative power of its creator who was fascinated by women and nature. Both vintage and avant-garde, the Masque de Femme box reinterprets this piece of art Which reveals the face of a mysterious woman with delicate features, surrounded by aquatic fauna. Its graphic lines and the purity of its crystal highlighted by black lacquered hand made wood display style and minimalism.
Lalique Woman Mask Box, Black
Also see the Woman Mask Box in White, or the Woman Mask Panel, or view the entire Masque de Femme Collection.
The iconic beauty of Rene Lalique's Masque de Femme has been interpreted in a deep red votive candle holder.
A rich warm color that awakes the senses, red has strong symbolic meanings: love, life, spirituality, energy, powerful emotion, “joie de vivre” and optimism.
Evoking images of the femininity and love, using flowers, this delicate collection reflects the intensity, passion and heady atmosphere of the garden of Eden with its forbidden fruit.
Developed in “Rouge à l’Or”, a deep and captivating crimson red, which is the result of a secret mixture of pigments and gold powder, this collection leads us into a strange world where Pleasure, Temptation and Boldness combine to create a unique and bewitching sensation.
View the entire Rouge Collection,
Facts about Lalique:
René Lalique became synonymous with French Art Nouveau decorative arts. René Lalique was born in 1860 and first began designing fine jewelry in Paris in 1881. Lalique pursued increasingly more innovative experimentation in glass commencing around 1883. Early works used the familiar "lost wax" technique by which the model is made in wax while a mold is formed around the model. Then, the wax is melted and molten glass is poured into the mold. Lalique glass was made in this manner until approximately 1905 at which time the factory was redesigned for a larger production.
As such, the individual uniqueness of each example of Lalique glass came to an end with the end of the one-time only molding technique around wax models. The success of this venture resulted in the opening of his own glassworks at Combs-la-Ville in 1909. During the art nouveau period, Lalique was well known for a wide variety of objects including perfume bottles, vases, inkwells, decorative boxes, and bookends.
Lalique glass is lead based, either mold blown or pressed. Favored motifs during the Art Nouveau period were dancing nymphs, fish, dragonflies, and foliage. Characteristically the glass is crystal in combination with acid-etched relief. In addition to vases, clocks, automobile mascots, stemware, and bottles, many other useful objects were produced. While not well known, Lalique also experimented with bronze and other materials as well.
Crystal Classics is one of only a few authorized Lalique retailers online.
- HISTORY OF RENE LALIQUE GLASS
- René
Lalique became synonymous with
French Art Nouveau decorative
arts. René Lalique was
born in 1860 and first began
designing fine jewelry in Paris
in 1881. Lalique pursued
increasingly more innovative
experimentation in glass
commencing around 1883. Early
works used the familiar "lost
wax" technique by which the model
is made in wax while a mold is
formed around the model. Then,
the wax is melted and molten
glass is poured into the mold.
Lalique glass was made in this
manner until approximately 1905
at which time the factory was
redesigned for a larger
production. As such, the
individual uniqueness of each
example of Lalique glass came to
an end with the end of the
one-time only molding technique
around wax models. The success of
this venture resulted in the
opening of his own glassworks at
Combs-la-Ville in 1909. During
the art nouveau period, Lalique
was well known for a wide variety
of objects including perfume
bottles, vases, inkwells,
decorative boxes, and
bookends. In 1921 a larger
factory was established at
Wingen-sur-Moder in
Alsace-Lorraine. By the '30s
Lalique was world renowned as the
most important designer of his
time.
Lalique glass is lead based, either mold blown or pressed. Favored motifs during the Art Nouveau period were dancing nymphs, fish, dragonflies, and foliage. Characteristically the glass is crystal in combination with acid-etched relief. Later some items were made in as many as ten colors (red, amber, and green among them) and were occasionally accented with enameling. These colored pieces, especially those in, black, are highly prized by advanced collectors. During the '20s and '30s, Lalique designed several vases and bowls reminiscent of American Indian art. He also developed a line in the Art Deco style decorated with stylized birds, florals, and geometries. In addition to vases, clocks, automobile mascots, stemware, and bottles, many other useful objects were produced. While not well known, Lalique also experimented with bronze and other materials as well. Most glass was clear or opalescent glass and signed via engraving or in the mold "R. Lalique". The R. Lalique signature was only used until 1945 with the death of René. At that time, René Lalique's son Marc took over the company. Production of many pieces produced prior to 1945 ceased following René's death although some are still in production albeit with a different marking. The firm is still in operation today.
SOURCE: Lalique Collection
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