27/03/2012

Magnetic Fields 1981 - Full Album


                          Magnetic Fields
 
Magnetic Fields (French title: Les Chants Magnétiques) is the third mainstream album by Jean Michel Jarre (his fifth album in all), released on Disques Dreyfus in 1981. The album was one of the first records to use sampling as a musical element and represents a departure from the sound of Jarre's previous efforts, although his distinct style is instantly recognizable throughout the duration of the album. For this album Jarre was partly inspired by the works of Andy Warhol and a fascination with the reproducibility of digital sound.

The long first track consists of three distinct movements, the slower second movement being heavily laden with sample work, foreshadowing the sound of Jarre's 1984 album Zoolook.

The album reached #6 in the UK charts and #98 in the U.S. charts.

Album title

The album has official titles in both French and English. The French title, Les Chants Magnétiques is a play on words. Literally translated into English this means "Magnetic Songs"or "Magnetic Singing"[4]. Spoken aloud however, it sounds as "Les Champs Magnétiques" (literally: "Magnetic Fields"), due to the French words chants (songs or singing) and champs (fields) being homophones. As this is not the case in English, such word play could not have survived translation, and the more straightforward title "Magnetic Fields" was chosen instead. In the caption for picture 5 on the album's inner sleeve, the word "champs" in "champs magnétiques" is crossed out and the word "chants" is written above it.

Track listing

Side 1

"Magnetic Fields Part 1" -- 17:49

Side 2

"Magnetic Fields Part 2" -- 3:59
"Magnetic Fields Part 3" -- 4:15
"Magnetic Fields Part 4" -- 6:18
"Magnetic Fields Part 5 (The Last Rumba)" -- 3:30

Equipment :

ARP 2600
Electro-Harmonix Echoflanger
Elka 707
Eminent 310U
EMS Synthi AKS
EMS Vocoder 1000
Fairlight CMI
Korg KR 55
Korg VC-10
MDB polysequencer
Moog Taurus Pedal Synthesizer
Oberheim OB-X
EMS Synthi VCS3

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