Showing posts with label Rendez-Vous. Show all posts
Showing posts with label Rendez-Vous. Show all posts

16/12/2014

5 reediciones de Jean Michel Jarre para enero de 2015

Sony Music lanzará el próximo mes de enero nuevas ediciones de los álbumes Zoolook, Rendez-Vous, Chronologie, Revolutions y Waiting for Cousteau.

Tras publicar este año 6 reediciones de los álbumes más destacables del músico francés, Sony Music continúa con la tirada de nuevas ediciones del resto de álbumes de Jarre, para desesperación de todos los seguidores del artista que aún esperan noticias del nuevo trabajo.

Para el próximo 2 de enero, está prevista la publicación de cinco reediciones más, las correspondientes a los álbumes: Zoolook (1984), considerado por muchos fans como el álbum más experimental de Jean Michel Jarre y del que ya se realizó un reedición en CD en el año 97; Rendez-Vous (1986), del que se han vendido cerca de tres millones de copias en todo el mundo; Revolutions (1988), sexto álbum de estudio de Jarre y del que ya se hizo otra reedición en el 94; Waiting for Cousteau (1990), álbum dedicado a la figura del investigador oceanográfico francés Jacques-Yves Cousteau; y Chronologie (1993), inspirado en el libro de Stephen Hawking “A Brief History of Time” (“Una Breve Historia del Tiempo”).

Por el momento, todas las reediciones se presentarán en formato CD y MP3, disponibles para su compra en iTunes y Amazon.


 


04/09/2014

XVII RENDEZ-VOUS, SEVILLE (SPAIN) 2014. September 25th-28th.



This is the official poster of the JMJ's Spanish fan anual meeting.

The XVII annual Jean Michel Jarre Convention will be celebrated in Seville next 26, 27 and 28 September 2014. The big event of this Rendez Vous will be the concert that will be staged at the Events hall, with the performances of Complexystems, Cyborgdrive, Die Stadt, Juanma 71, Tonino Drums, Xethis and Destino Plutón. 

In this web you have all the info about the XVII Rendez Vous.

 

 


Los próximos días 26 a 28 de Septiembre se celebra en Sevilla la XVII Rendez-Vous, o encuentros anuales de seguidores de JEAN MICHEL JARRE y la Música Electrónica, organizados por FAIRLIGHT JARRE.

El eje central de este evento será el concierto que el Sábado 27 reunirá a 7 grupos y artistas, muchos de ellos veteranos en estos encuentros, en la Sala Events. Pero además están programadas otras actividades que aunarán el ocio, el turismo y la gastronomía típica hispalense.

El cartel para esta edición ha sido diseñado por ANTONIO MONTILLA y pretende ser un homenaje a dos discos decisivos de JEAN MICHEL JARRE: “Equinoxe”, popularmente escogido como el mejor trabajo del músico, y “Zoolook”, de cuya publicación se cumplen en 2014 los 30 años.

Esta cita anual, cuya sede se decide democráticamente en el Foro de FAIRLIGHT JARRE, regresa a Sevilla 10 años después de que se celebrara en 2004 en el sevillano municipio de Camas.

Toda la actualidad de la rendez puede ser seguida tanto en el Foro como a través de la web oficial creada especialmente para esta ocasión.

SOURCE:

 

 

http://jeanmicheljarre.es/

 

19/05/2014

Un synthétiseur conçu par Jean Michel Jarre en vente sur Ebay Price: EUR 18,000.00

par @FrancoisChe



L'ebayer J. Landeira collectionne tout ce qui touche de près ou de loin au compositeur français de musique électronique. Mais c'est la mort dans l'âme qu'il se sépare d'une pièce maîtresse : le fameux synthétiseur analogique lumineux, imaginé par J-MJ et la... NASA. 

Dans l'imaginaire collectif, ce clavier futuriste fait partie des objets cultes des années 80, au même titre que la DeLorean DMC-12 du « Doc » et de la Nike Air Mag de Marty Mc Fly. Il faut dire qu'à cette époque Jean-Michel Jarre a de l'ambition : il veut conquérir le monde et inscrire son nom dans le Guinness Book, en organisant des méga-concerts, réunissant des centaines de milliers de personnes, au pied de la Tour Eiffel ou des pyramides, dans la Cité interdite...

Cet instrument semi-circulaire conçu par les ingénieurs de la NASA, témoigne de cette folie des grandeurs. Jean-Michel Jarre l'utilisera notamment pour son concert de Houston, où il battra le record du monde de spectateurs, en 1986 (1,3 millions de fidèles).

Selon les précisions de l'annonce mise en ligne et achevée au 17 mai, l'engin est modeste : 150 kgs pour un demi-cercle de 2,54 mètres. L'heureux acquéreur s'est payé un rêve de gosse pour la modique somme de 18 000 €. Une annonce digne de Chris Esquerre...

Les détails de la vente aux enchères sur Ebay.

Le concert de Houston en intégralité (pour les plus téméraires)


       

Jean Michel Jarre - Rendez vous 4 (Clip Officiel) 

       

Imagine la grosse pression que tu vas mettre à tes potes...
Peu encombrant, ce clavier conviendra parfaitement dans une cave...


Source: street-tease.com

04/01/2014

Jean Michel Jarre - Fifth Rendez Vous

"Fifth Rendez Vous" from album Jean Michel Jarre "Rendez-Vous"| (1986) 

 
 

15/07/2013

Chris Hadfield - Out-of-this-world Bowie. Performance brought back bad memories for Jean Michael Jarre.

24 June 2013


Astronaut Chris Hadfield
Canadian astronaut Chris Hadfield's recent performance of David Bowie's Space Oddity high above the earth brought back bad memories for French musician Jean Michel Jarre, who had hoped to feature tragic spaceman Ron Mcnair playing a saxophone solo at a gig in 1986.

Jarre had planned to link up with MCNair on board space shuttle Challenger as part of a show in Houston, Texas, and watched in horror as his pal and his crewmates perished when the craft disintegrated just 73 seconds after lift-off.


Ronald Ervin McNair, Ph.D., (October 21, 1950 – January 28, 1986) was a physicist and NASA astronaut. McNair died during the launch of the Space Shuttle Challenger on mission STS-51-L.

And Jarre reveals Hadfield's out-of-this-world tribute to Bowie, performed 230 miles (370 kilometres) above the planet on the International Space Station and posted online on 12 May (13), took him back to one of the worst days of his life.

He tells CelebrityAccess contributor Larry LeBlanc, "When I heard about the astronaut wanting to play music, obviously, it reminded me of this quite hard time... I could write a book around this concert in Houston.

"For the first time in its history, Nasa wanted to be part of a cultural event. We had this idea of having a live link in space, and a song performed, not just as an engineer and a scientist, but also an artist playing saxophone live. It was really moving. Writing a piece of saxophone for Nasa is quite challenging for a musician.

"Then we did it, and Ron was rehearsing until the last minute. (I said), 'Ok, I'll give you a rendezvous in space,' which was a time to play together, with me in Houston, onstage over the skyline, and him in outer space.

STS-51-L crew: (front row) Michael J. Smith, Dick Scobee, Ronald McNair; (back row) Ellison Onizuka, Christa McAuliffe, Gregory Jarvis, Judith Resnik.

"He said, 'Watch me on television for the take-off...' and we saw the tragedy. We were all in tears. I wanted to cancel the whole thing (concert). The astronauts in Houston said, 'You have to go on. You have to do this concert as a tribute to the astronauts.'"

Rendez-vous Houston
Challenger Disaster Live on CNN
       
                 

Jean Michel Jarre - Ron's Piece (Houston Concert)
                                    
                   

Jewel in the Night - original music from the International Space Station 

                  

Source: contactmusic.com

18/05/2013

Apollo 8 Mission (Book of Genesis Reading - December 24, 1968)


Music: Jean Michel Jarre - "Second Rendez-Vous" Part I / Part II
Apollo 8 was the first human spaceflight mission to leave Earth & voyage to another celestial body, The Moon.





            

13/04/2013

The First Live Music Performance In Space


"The idea of having concerts in space is very exciting"

- John Spencer  (Head Of The Space Tourism Society)



The Launch Project is the movement that started almost immediately after what is now the Virgin Galactic brand’s spaceship won the x-prize and helped usher in the new era of Space Tourism. Soon to evolve into ‘ONE GIANT GIG FOR MANKIND’ it is an all encompassing multi-media venture behind the first live musical performance from the edge of space.

    ONE GIANT GIG FOR MANKIND will consist of; the weightless performance itself from 62 miles above the earth. A live 3-D broadcast of the event to the whole world, via TV, Internet, mobile devices and cinema screens. There will be several major concerts on terra firma from around the world, all with a direct feed of the show. A feature film documenting the journey of music in space from astronauts taking up their own instruments, to the unravelling race by music artists to be first. The performance itself will be used for a stunning IMAX presentation, that will be adapted to work in planetarium facilities, providing a much more visceral experience of being there with the artist.

       The show from space will also be celebrated by thousands of pop-up events spread across the planet marking this groundbreaking day in music history and a unique milestone in our civilisation.

      The Launch Project is being propelled forward by the company Nought2Sixty Productions who are an off-world entertainment consultancy as well as an on-earth production company. The Launch Project aims to bring to the universe this history making event in MAY 2013


THE COUNTDOWN HAS BEGUN......


    

Source: launch-project.com


04/12/2012

Jean Michel Jarre - light show on hold

Yolanda Zaw, The West Australian Updated December 4, 2012

The West Australian © Jarre light show on hold

French electronic music legend Jean Michel Jarre will not be coming to Perth as planned next year and it is uncertain whether his "light and sound extravaganza", which was to be held at Langley Park in March, will go ahead at all.

According to event organiser Maryanne Bell, Jarre's Rendezvous Perth, originally planned for March 23, would have attracted up to 100,000 people and pumped $30 million into the Perth economy.

But plans for the event have been pushed back to 2014 after the State Government, through Eventscorp, refused to sponsor the event.

Eventscorp chief executive Gwyn Dolphin said the money requested by the organisers and the short timeframe between the application and the event date meant they were unable to support the event for next year.

Mr Dolphin said Eventscorp would reconsider sponsorship of the concert for 2014 after assessing it against the relevant criteria.

The City of Perth will also reconsider a funding request for $100,000 for 2014.

Ms Bell said although she was disappointed, the event would be even more spectacular in 2014 when many of Perth's infrastructure projects would be completed.

Source: au.news

18/08/2012

Gérard Lenorman - La belle et la bête(re-adapted for the piece Second Rendez-Vous in 1986)

La Belle Et La Bête

Arranged By [Rythmique], Orchestrated By [Rythmique] -- Jean-Michel Jarre Arranged By [String, Brass, Choir], Orchestrated By [String, Brass, Choir] -- Gabriel Yared 
Lyrics By -- M. Vidalin
Music By -- J. M. Jarre

La Belle Et La Bête theme will be re-adapted by Jean-Michel Jarre for the piece Second Rendez-Vous in 1986.


Gérard Lenorman More:

gerard-lenorman

10/08/2012

Jean Michel Jarre - Children of space (Rendez-Vous In Space - 2001)


"Children of Space" (Rendez-Vous in Space concert, Okinawa, January 1, 2001) - "Velvet Road" (Geometry of Love)
On January 1st, 2001, considered by some as the true first day of the new Millennium, Jean Michel Jarre, together with the Japanese mega-artist and producer, Tetsuya "TK" Komuro, gave a concert in Okinawa. The concert, entitled Rendez-vous in Space, was a tribute to the science-fiction author, Arthur C. Clarke, who was a close friend of Jarre's. Prior to show, Jarre visited Clarke in Sri Lanka and recorded him on video. At the concert the recordings were used as an introduction to each number. Clarke could be seen on the big screen where he talked about such matters as the possibility of life on other planets and sex in a weightless state. None of Jarre's classic hits were performed at the concert, but exclusively new material created by The Vizitors, which Jarre and TK had decided to call themselves for the occasion. The opening sequence of the concert was based on the theme from the film 2001: A Space Odyssey, which is one of Arthur C. Clarke's literary classics, for which Clarke acknowledges to have been greatly inspired by Jarre's music.

Track list:

1. Overture (part 1) - Theme of 2001
2. Overture (part 2)
3. The Voyage
4. My Name Is Arthur
5. Children of Space
6. Nobody
7. Rendez-vous In Space
8. Race In Space

Ouverture part 1 & 2

I am Arthur Clarke. Good evening Jean Michel.
Good evening TK. Good evening Okinawa.
I am with you in spirit for our "Rendezvous In Space"
with The ViZitors. Happy 2001 everybody! The Future is Now!

1. The voyage

We are all voyagers on Spaceship Earth.
But when we leave it, we have to take with us
the environment that nature has given us.
We must know where we're going, so we have
to have computers and telescopes. We have to
build an artificial world in fact...
And when we'll be doing that, we'll travel out
into the universe on voyages which may take Months
to the nearer planets. Years to the closest stars.
Thousands of years to the more distant stars and
perhaps Millions of years to other galaxies.

2. My name is Arthur

Losing in space would be much the same as on Earth
and when I say in space I mean in a spaceship because
as everyone knows in space no-one can hear you scream...
IN SPACE, NO-ONE CAN HEAR YOU SCREAM!

3.
Children of space

Lifeforms on other planets will be even more varied
than they are on this planet. They will depend to a
large extent on the gravitational field on a planet
which has a much higher gravity than Earth - obviously
you couldn't have large animals - they'd be small and
squat and perhaps with many legs. On the other hand,
on planets with very low gravity you would have very
spindly, thin animals - very tall ones - and trees
perhaps hundreds of feet or hundreds of metres high
and maybe even kilometres high. The variations we will
find in space are almost infinite...

4. Nobody

Space is unimaginally empty. Beyond human comprehension.
The planets and stars are seperated by inconceviable distances.
So one of the aspects of space is utter lonliness. And of course,
absolute silence. The effect on the human psychy will be profound -
some people may even go mad, because of the lonliness and silence.
On the other hand, others may find themselves in that very emptiness.

5. Rendez-vous in space

A "Rendez-vous in Space" would be a meeting with
other space travellers -human or alien. It could
be re-visiting a colony in space, on a planet or
a space station. Obviously there'll be a great
deal of love-making in space and there are some
suggestions that's already happened. Making love
under low gravity obviously has attractions as
how often does the weight of your partner cut of
your circulation!?

6. Race in space

Because light travels at a finite speed -
and so therefore anything further away is
further and further back in time. The Moon
is only a second away. The planets, minutes
away. The Stars, years away back in time.

If we do have visitors from space obviously
they'll know much more about the universe than
we do, so we'll ask them what it's like out there.
But I think the most important question we could
ask them is "Do you believe in God?".

10/06/2012

Remembering Rendez-vous Houston April 5, 1986

More than 1.3 million turned out on an overcast Saturday night to see French composer Jean-Michel Jarre's "Rendez-vous Houston: A City in Concert." The concert landed the city in the Guinness Book of World records.
Jean-Michel Jarre during one of his visits to Houston shortly after his record-setting concert. Photo: Buster Dean, Chronicle File / HC

French composer Jean-Michel Jarre rehearses "Rendez-vous Houston: A City In Concert." Photo: Tim Bullard, Chronicle File / HC


An image of Sam Houston is projected onto the Heritage Plaza building, which was then still under construction, for "Rendez-vous Houston: A City in Concert" on April 5, 1986. Photo: Steve Ueckert, Chronicle File / HC 
  
An image is projected onto the Heritage Plaza building during Jean-Michel Jarre's "Rendez-vous Houston: A City in Concert" on April 5, 1986. Photo: Steve Ueckert, Chronicle File / HC

An image of French composer Jean-Michel Jarre is projected onto the Heritage Plaza building during "Rendez-vous Houston: A City in Concert" on April 5, 1986. Photo: Steve Ueckert, Chronicle File / HC

Becky Hinojosa and daughter Melissa, 6, get Jean-Michel Jarre's autograph during one of the French composer's visits to Houston after his "Rendez-vous Houston" concert. June 13, 1986 Photo: Chronicle File / HC

French composer Jean-Michel Jarre rehearses prior to "Rendezvous Houston: A City In Concert." Photo: Tim Bullard, Chronicle File / HC

French composer Jean-Michel Jarre rehearses prior to "Rendezvous Houston: A City In Concert." Photo: Tim Bullard, Chronicle File / HC

Legs hang over an overpass on Memorial Drive just outside downtown as a traffic jam builds below. April 5, 1986. Photo: Howard Castleberry, Chronicle File / HC

An image celebrating Texas is projected onto the Heritage Plaza building for "Rendez-vous Houston: A City in Concert" on April 5, 1986. Photo: Steve Ueckert, Chronicle File / HC

Fireworks burst over the Houston skyline, laser beams play through the night sky and the city's buildings become screens for slides during Jean-Michel Jarre's "Rendezvous Houston: A City In Concert" laser light show on Saturday, April 5, 1986. Photo: Larry Reese, Chronicle File / HC

An image of the Challenger astronauts is projected on the Heritage Plaza building for "Rendez-vous Houston: A City in Concert" on April 5, 1986. Photo: Steve Ueckert, Chronicle / HC

Workers with Jobs Building Services stretch a huge piece of sailcloth over the mirrored wall of the Heritage Plaze building currently under construction. The sailcloth will serve as a screen for the laser light show scheduled for 8 topnight that will be accompanied by fireworks and a concert conducted by French composer Jean-Michel Jarre. April 5, 1986. Chronicle file Photo: Chronicle File / HC



Source: chron.com


07/06/2012

Jean Michel Jarre - Rendez-vous Houston 1986

Rendez-vous Houston

Free Press Summerfest is this weekend, and I'm sure you all are just as ecstatic as we are! With headliners like Willie Nelson, Snoop Dog, The Flaming Lips, and Erykah Badu, as well as acts ranging from the local to the international level, it's sure to be a memorable two days. It's hard to imagine that this expansive local music festival began only 4 years ago in 2009. The festivities have got us here at the UH Digital Library thinking about what went on in Houston before Summerfest, what magical concert captivated the entire city and had it's citizens flock to downtown, jamming its streets and highways with traffic, filling the space with music and sound and pure energy. Well in looking through the 1986 yearbook, we think we have found that moment. Long before Major Lazer, Afrojack, and Free Press Summerfest there was Jean Michel Jarre and Rendez-vous Houston.

Rendez-vous Houston

In 1985, French composer Jean Michel Jarre set out to put on a massive performance for the city of Houston to celebrate the city's 150th birthday as well as NASA's 25th birthday. Jarre composed a piece entitled Rendez-vous Houston, a three-movement work inspired by the city's transformation from a rural small town to the "Space City". The performance was an interactive lazer show, using the city's own buildings to project various light installations across the skyline. The show almost didn't happen due to the Space Shuttle Challenger Disaster which happened only a few months before the set performance. Jarre insisted on continuing the performance as a way to remember the Challenger crew.

Rendez-Vous Houston

On April 5th, 1986, Jean Michel Jarre and his ensemble took to the stage for a record breaking crowd of over 1 million people. Due to the risk of fireworks harming the audience, the performance was only permitted by the Houston Fire Department on a "see how it goes" basis. The concert was so huge, 1-45 was shutdown due to people parking their cars in the middle of the highway to see the show!
Rendez-vous Houston


Rendez-vous Houston


Images were found in our 1986 Houstonian as a part of our Houstonian Yearbook Collection. Make sure to check our other fascinating collections filled with links to Houston's past history and culture here at the UH Digital Library!

28/03/2012

Rendez-Vous 1986 - Full Album

   

                        Rendez-Vous 1986

Rendez-Vous is an album of instrumental electronic music composed and produced by Jean Michel Jarre, and released on Disques Dreyfus, licensed to Polydor, in 1986. It is his fifth overall studio album. It sold some three million copies worldwide and remains Jarre's longest-running chart album in both the USA and UK, with a 20 week run in the U.S. and an impressive 38 week run in the UK. The last track on the album was supposed to have the saxophone part played in outer space by astronaut Ron McNair, but on January 28, 1986 he and the entire Space Shuttle Challenger crew were killed. 73 seconds after lift-off the shuttle disintegrated. In memory, this piece was dedicated to him. On the album the saxophone part is played by saxophonist Pierre Gossez.

The album reached #9 in the UK charts and #52 in the U.S. charts.

In April 1986, Jarre performed the large-scale outdoor concert Rendez-vous Houston in Houston, Texas, celebrating the 150th anniversary of the founding of Texas, and the 25th anniversary of NASA. The show attracted a then-world record live audience of 1.3 million people. Originally, the track Last Rendez Vous was due to be played by saxophonist astronaut Ron McNair via a live link with the Challenger space shuttle. However, after the Challenger disaster, the concert became a part-tribute to the lost astronauts.

Jean Michel returned to the stage in October for another concert, the Rendez-Vous Lyon, marking the Pope John Paul II visit to Jarre's hometown.

Track listing

"First Rendez-Vous" -- 2:54
"Second Rendez-Vous" -- 10:55
"Third Rendez-Vous" -- 3:30
"Fourth Rendez-Vous" -- 3:57
"Fifth Rendez-Vous" -- 7:41
"Last Rendez-Vous (Ron's Piece)" -- 6:04

Personnel

Jean Michel Jarre -- Synclavier, Seiko DS-250, Elka Synthex, Moog synthesizer, Roland JX 8P, Fairlight CMI, E-mu Emulator II, Eminent 310U, EMS Synthi AKS, Laser Harp, RMI, OBX, DX 100, Matrisequencer, Roland TR-808, Linn 9000, Prophet, Casio CZ 5000, ARP 2600
Michel Geiss -- ARP 2600, Eminent, Matrisequencer, Roland TR-808
Dominique Perrier -- Memory Moog
Joe Hammer -- Drumulator, percussions
David Jarre -- Baby Korg personal keyboard
Pierre Gossez -- Saxophone on "Last Rendez-Vous (Ron's Piece)

28/02/2012

Jean Michel Jarre - Third Rendez-Vous



Rendez-Vous is an album of instrumental electronic music composed and produced by Jean Michel Jarre, and released on Disques Dreyfus, licensed to Polydor, in 1986. It is his fifth overall studio album. It sold some three million copies worldwide and remains Jarre's longest-running chart album in both the USA and UK, with a 20 week run in the U.S. and an impressive 38 week run in the UK. The last track on the album was supposed to have the saxophone part played in outer space by astronaut Ron McNair, but on January 28, 1986 he and the entire Space Shuttle Challenger crew were killed. 73 seconds after lift-off the shuttle disintegrated. In memory, this piece was dedicated to him. On the album the saxophone part is played by saxophonist Pierre Gossez.

The album reached #9 in the UK charts and #52 in the U.S. charts.

In April 1986, Jarre performed the large-scale outdoor concert Rendez-vous Houston in Houston, Texas, celebrating the 150th anniversary of the founding of Texas, and the 25th anniversary of NASA. The show attracted a then-world record live audience of 1.3 million people. Originally, the track Last Rendez Vous was due to be played by saxophonist astronaut Ron McNair via a live link with the Challenger space shuttle. However, after the Challenger disaster, the concert became a part-tribute to the lost astronauts.

Jean Michel returned to the stage in October for another concert, the Rendez-Vous Lyon, marking the Pope John Paul II visit to Jarre's hometown.

Track listing

"First Rendez-Vous" -- 2:54
"Second Rendez-Vous" -- 10:55
"Third Rendez-Vous" -- 3:30
"Fourth Rendez-Vous" -- 3:57
"Fifth Rendez-Vous" -- 7:41
"Last Rendez-Vous (Ron's Piece)" -- 6:04

Personnel

Jean Michel Jarre -- Synclavier, Seiko DS-250, Elka Synthex, Moog synthesizer, Roland JX 8P, Fairlight CMI, E-mu Emulator II, Eminent 310U, EMS Synthi AKS, Laser Harp, RMI, OBX, DX 100, Matrisequencer, Roland TR-808, Linn 9000, Prophet, Casio CZ 5000, ARP 2600
Michel Geiss -- ARP 2600, Eminent, Matrisequencer, Roland TR-808
Dominique Perrier -- Memory Moog
Joe Hammer -- Drumulator, percussions
David Jarre -- Baby Korg personal keyboard
Pierre Gossez -- Saxophone on "Last Rendez-Vous (Ron's Piece)

27/02/2012

Jean Michel Jarre - Last Rendez-Vous (Ron's Piece)



In 1985 Jarre was invited by the musical director of the Houston Grand Opera in Texas to perform a concert to celebrate the city and state's 150th anniversary. Although he was busy with other projects and was initially unimpressed by the proposal, he later visited the city. He was immediately impressed by the visual grandeur of the city's skyline, and agreed to perform. That year also marked the 25th anniversary of the foundation of the Lyndon B. Johnson Space Center, and Jarre was contacted by NASA to integrate the anniversary into the concert.

The creation of Rendez-Vous took place over a period of two months, and as with Zoolook, contains elements of his 1983 album Musique pour Supermarché. The three movements of the score represent Houston's development from a rural economy, to its role as a leader in space technology. Baroque in style, the album uses a mixture of French horns, trombones and violins, and features heavy use of the Elka Synthex, notably so on "Third Rendez-Vous", a track Jarre often performs using a laser harp. Jarre worked with several Houston-based astronauts including Bruce McCandless II, and former Jazz musician Ronald McNair, who was to have played the saxophone on "Rendez-Vous VI", recorded in the weightless environment of space. McNair was to have performed at the concert over a live link, but was killed in the Space Shuttle Challenger disaster on 28 January 1986. Immediately following the accident consideration was given to the cancellation of the concert, but Jarre was contacted by McCandless and urged to proceed, and to mark the event as a tribute to the crew of the Shuttle mission. Following the Challenger disaster, the piece was recorded by Kirk Whalum and retitled "Ron's Piece".



I remember just before take-off, Ron calling me in Paris saying "Everything's ready, see you in a week's time, watch me on television for the take-off" ... I will really, keep always, the bit of Ron's smile and Ron's face in my heart.